Documentary Aesthetics and International Communication of Iranian Films from the Perspective of the Third Cinema

The Iranian film represented by White Balloon includes a series of elements such as colonialism, class, race, sex and gender in the third cinema. Religious culture makes films not only contain humanitarian concerns, but also become representative ideology. description women’s survival dilemma displacement Hazara reflects complexity social environment. Under strict censorship, directors cast their eyes on lives children at bottom. Long shots, single-line narrative logic, circle structure open ending constitute an important part documentary aesthetics films. As cinema, is facing various difficulties reality, breaking through context globalization, providing development road combining nationality with world individuality localization for other countries’